Book review: Homegoing
Jan. 24th, 2026 09:20 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
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booknookTitle: Homegoing
Author: Yaa Gyasi
Genre: Fiction, historical fiction, family drama
Homegoing is family epic by Ghanaian-American author Yaa Gyasi. It follows the descendants of two half-sisters in Ghana in the 18th century: One, Effia, marries a British governor there. The other, Esi, is captured in raids and sold into slavery in America by that same governor. Gyasi's novel traces the story of their family from there.
As I'm sure you can imagine just by the novel's description, Homegoing is a heavy book. It's not long--only 300 pages--but the subjects it deals with are dark. Homegoing shines a very personal, intimate light on historical atrocities and it is unflinching in the stark reality of those things. However, it is not sensationalist--the things that happen, particularly to Esi's family, are shocking, but not because Gyasi is playing a gotcha game with the reader, simply because we know these things really happened. This isn't a story about real people, but it is true, in that sense--these things did happen, to generations of people.
Each chapter is a generation of the family--chapter 1 is Effia's story about marrying the governor, chapter 2 is Esi's story about her capture and imprisonment, chapter 3 is the story of Effia's son Quey, etc.--which allows Gyasi to span centuries of history, shining a light both on the development of Ghana first as it is brought under the yoke of colonialism, through its fight for independence, to regaining its sovereignty; as well as the struggle of Black Americans first against slavery and then on the successive attempts to maintain racism in the state: Jim Crow, chain gangs, the war on drugs.
While there is great suffering in Homegoing, Gyasi also shows, I think, that joy exists even in the worst times. Even the hardest-suffering of Gyasi's characters still have hopes and dreams; they still fall in love; they still have inside jokes with friends; they still dance and sing and teach children to walk and try to preserve the memories of their loved ones. Homegoing documents an almost unfathomable amount of hardship, but it also knows that life will always try to find a way.
The novel is obviously very well-researched. Gyasi has put a lot of effort into a holistic understanding of both Ghanaian and American history and it shows.
Although we don't get long with most of the characters, each of them stands out as distinct from one another. Gyasi does a wonderful job of showing their own mindsets, opinions, virtues and vices, relationships with their family and their history, and how that intersects with that character's particular struggle.
Really a very well-done book. I know I'm going to be thinking about this one for a long time, and I think it has undoubtedly earned its place on the various recommendation lists where it sits. If you are squeamish about the subject material, or not someone who usually goes for books that deal with such heavy issues, I would strongly suggest giving this one a try anyway. It matters that we remember not only that these things were wrong, but why they were wrong, and Gyasi shows that here in vivid detail. It's really worth the read.
Author: Yaa Gyasi
Genre: Fiction, historical fiction, family drama
Homegoing is family epic by Ghanaian-American author Yaa Gyasi. It follows the descendants of two half-sisters in Ghana in the 18th century: One, Effia, marries a British governor there. The other, Esi, is captured in raids and sold into slavery in America by that same governor. Gyasi's novel traces the story of their family from there.
As I'm sure you can imagine just by the novel's description, Homegoing is a heavy book. It's not long--only 300 pages--but the subjects it deals with are dark. Homegoing shines a very personal, intimate light on historical atrocities and it is unflinching in the stark reality of those things. However, it is not sensationalist--the things that happen, particularly to Esi's family, are shocking, but not because Gyasi is playing a gotcha game with the reader, simply because we know these things really happened. This isn't a story about real people, but it is true, in that sense--these things did happen, to generations of people.
Each chapter is a generation of the family--chapter 1 is Effia's story about marrying the governor, chapter 2 is Esi's story about her capture and imprisonment, chapter 3 is the story of Effia's son Quey, etc.--which allows Gyasi to span centuries of history, shining a light both on the development of Ghana first as it is brought under the yoke of colonialism, through its fight for independence, to regaining its sovereignty; as well as the struggle of Black Americans first against slavery and then on the successive attempts to maintain racism in the state: Jim Crow, chain gangs, the war on drugs.
While there is great suffering in Homegoing, Gyasi also shows, I think, that joy exists even in the worst times. Even the hardest-suffering of Gyasi's characters still have hopes and dreams; they still fall in love; they still have inside jokes with friends; they still dance and sing and teach children to walk and try to preserve the memories of their loved ones. Homegoing documents an almost unfathomable amount of hardship, but it also knows that life will always try to find a way.
The novel is obviously very well-researched. Gyasi has put a lot of effort into a holistic understanding of both Ghanaian and American history and it shows.
Although we don't get long with most of the characters, each of them stands out as distinct from one another. Gyasi does a wonderful job of showing their own mindsets, opinions, virtues and vices, relationships with their family and their history, and how that intersects with that character's particular struggle.
Really a very well-done book. I know I'm going to be thinking about this one for a long time, and I think it has undoubtedly earned its place on the various recommendation lists where it sits. If you are squeamish about the subject material, or not someone who usually goes for books that deal with such heavy issues, I would strongly suggest giving this one a try anyway. It matters that we remember not only that these things were wrong, but why they were wrong, and Gyasi shows that here in vivid detail. It's really worth the read.